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Saturday, June 22, 2024

Pastor Russell's Yacht


     CTR and the Bible Student movement used every modern means available to spread the word. One of the lesser known and lesser successful methods was the use of a large yacht (using both sail and fuel) in New York harbor.

     This is that story.

     CTR had been on an extensive world tour which included the Holy Land and Egypt, parts of Europe and a final tour in Britain. He returned on the liner Lusitania at the beginning of June, 1910. According to the New York Times for June 4, 1910, he was made the gift of a two mast schooner for missionary work.


     The description included a canvas banner with the name “Angel” and the inscription “God is Love.”

     Several news outlets carried a picture of the vessel and its banner.


     CTR described the event in the pages of The Watch Tower July 15, 1910, pages 231-232.

“Arriving at the pier early Friday morning, June 3d, we were warmly greeted, especially by the Bethel family…Our attention was drawn to a schooner yacht, "The Angel." As soon as possible we were taken on board of her. In a brief and neat speech the vessel was presented to us and the papers handed over. We replied briefly, expressing our appreciation of the gift and accepting it as Trustee for the Peoples Pulpit Association. We expressed a hope that the vessel might be used and blessed of the Lord in connection with the service of the Truth in New York Harbor. There is room on the deck for an audience of about one hundred and, in stormy weather, the cabin will accommodate about seventy. The vessel is fitted with sails and also with gasoline engines and an electric light plant.  Her outfitting was not quite complete at the time of presentation. It is hoped that she will be ready for service soon. The endeavor will be to use her for the preaching of the Gospel in various languages to the sailors from all parts of the world, to whom also literature will be freely supplied. The different evenings of the week will be divided amongst the various nationalities of the port, "The Angel" lying at some suitable dock convenient for those of the nationality to be addressed. Pray for the Lord's blessing upon this, another opening for the service of the Truth.”

     The newspapers picked up the story and various details were added. The schooner yacht at 125 feet long was quite a substantial size. There was obviously a standard press release because the cutting below (originally from the New York Evening Journal) appeared in a number of different newspapers.


     According to the Evening World (to which we will return later) the yacht in question started life as the Intrepid and was originally built for Lloyd Phoenix. Phoenix (1841-1926) had been a lieutenant in the US Navy and fought in the American Civil War. After the war he went into business and became Rear Commodore of the New York Sailing Club. There is still a trophy awarded in his name in the yachting world today. Over his career he owned three vessels called Intrepid.

     From the New York Tribune for October 26, 1913:


     Assuming the Evening World got it right, the vessel donated to CTR would probably have been the second incarnation, which dated from 1893.

     From The Portland Daily Press for July 17, 1893:


     Whatever its antecedents, in June 1910 CTR stepped off the Lusitania to be met by a welcoming committee and a schooner yacht, all 125 feet of her.

     In the event, after all the initial publicity, not a lot happened. It is noted from CTR’s account that the vessel was not actually ready for use, and there do not appear to be any newspaper accounts of the craft being used as proposed.

     In the cold light of day, a large yacht, albeit second-hand, might be viewed as somewhat ostentatious for CTR. The maintenance and docking fees would be expensive, particularly when compared with other forms of missionary service.

     The vessel reappeared in the media in 1912.

     In February 1912 New York was buffeted by gales, and a number of vessels were reported to be in difficulties. From the Brooklyn Times Union for February 22, 1912:


     “Angel” had now been rebranded “Onward.” By May 1912 it had been rescued and moored at Pier 11, East River. The Evening World (referred to earlier) continued the saga in its issue for May 2, 1912:


     As well as the vessel’s history, its future course was charted.

     According to the story Onward was now bound up the Amazon River. The fanciful account links the boat to Pastor Russell – perhaps this was a scientific expedition to discover the origin of Miracle Wheat? Reading between the lines it would appear that Watch Tower and the vessel had simply parted company, and new owners with new plans had taken it over.

     This was basically confirmed in the Daily Local News of West Chester, Pennsylvania, for May 20 1912:


     Thus it was that Intrepid/Angel/Onward left the Watch Tower fold and sailed off into the sunset.


Thursday, June 13, 2024

Not Happy with the Book

 

The Jersey City News, October 29, 1898, Final Edition.


A. D. Jones' Yacht

 The New York Post of December 27, 1896, mentions Jones' "yacht." I believe but cannot prove with irrefutable certainty that this was instead a one-man skiff or similar. I need more information. Can you find it?

Saturday, June 8, 2024

Conventioneers

   

  At its start, photo journalism was a costly business involving wood engravings to reproduce the layers of a photograph for printing.  But in the 1890s and early 1900s it became possible to produce pictures quite cheaply by the halftone process. This basically turned original photographs into a series of dots which could be printed. This was OK for a quick read of a newspaper, but not always so good for deciphering and restoring pictures all these years later.

     Previously line drawings had been the norm and this continued well into the early 20th century. They might have been taken from photographs or just done by the artist on the spot. An example of the latter is of Charles and Maria Russell facing each others at a court hearing in 1906, as reported in the Pittsburgh Press for April 26, 1906:

     

This article is about one typical line drawing from 1899. It is found in the St Louis Post-Dispatch. The issues for October 7 and 8, 1899, give a running  review on a three day Bible Student convention, held in the Tabernacle Church, 19th and Morgan Streets, St Louis, with an attendance estimated to top 300 people on the final day, the Sunday.

     One of the headings talked of “Pentecostal Scenes.”

    

     The Pentecostal movement with its “signs” of healings and glossolalia mushroomed at the end of the 19th century in America. As a side note here, one of its parent groups was The Christian and Missionary Alliance and this was where William H Conley nailed his colors to the mast after leaving association with Zion’s Watch Tower.

     But the heading “Pentecostal Scenes” did not describe a “Pentecostal” meeting. Rather it seems more to refer to large numbers getting baptised all at one time. In contrast to what might be seen elsewhere, the write-up specifically described the behavior of those who were there.

“The audience at no time allowed its enthusiasm to get the best of it and become frenzied or fanatical. It was happy, but reasonably so. There was no shouting. The “Believers” are a practical people and do not counternance going to extremes on any subject at any time. They counsel moderation and their meetings are always attended with order and deliberation.”

     We note here, and in the headline that the Bible Students were calling themselves “Believers” on this occasion.

     The write-up may be influenced by a press release, but appears quite independent. CTR’s baptism talk lasted two hours – as a reflection of the times it was noted there were both Jews and Negroes in the audience – and the review covered Bible Student belief on the millennium and organization, or rather lack of it.

     Anyhow, to finally get to the point of this article, the paper sent a staff artist to capture the scene. This is the result:

     

The curiosity is that it wasn’t just men, but both men and women in the picture. Why the artist chose these particular subjects is not known, but it gives an interesting flavor of the types of people you might just meet at a late 19th century Bible Student convention.