The Photo Drama discs were 12" in diameter. Note that the dates on the label refer to the various patents of the recording company, and do not refer to recording dates.
The Angelophone discs were only 7" in diameter.
The Rutherford recordings were 12" in diameter. The transcription records were 16"
Introduction by Jerome:
Back in
September 2011, I was given permission to reprint an extract from a 1993
article on the Watchtower recordings. The selection dealt with the Angelophone
recordings. Noticing that this proved quite popular in the intervening months,
I have now obtained permission to reprint the whole article here on Blog 1,
after it recently appeared on Blog 2.
The only stipulation
made by the original author is that it should be printed as a time capsule,
with no updating. So the current facts and figures given are those current in
1993, not today. Then there is certain information the writer would not have had
available at that time, such as our more detailed understand of CTR’s religious
background, and William Conley being the first Watch Tower president. The
latter information was only published for the first time later in 1993. So
there may be little inaccuracies to find; however, they have no real bearing on
the subject of the article – the historic recordings.
Just one
interpolation has been made in red as a result of comments made when the
Angelophone extract was published, but that only serves to vindicate the
original writer.
The
article as it stands was first published in April 1993 in issue 27 of The
Historic Record, a specialist magazine for collectors of shellac records,
generally playing at 78 revolutions per minute (rpm). The magazine had an
international readership, but was published in Britain; so the article comes
from that angle, including British rather than American English spelling. The
general readership had no interest in the Watchtower as such, but in subsequent
issues several collectors from around the world came forward who had examples
of its output.
The
article concentrates solely on recordings in the English language. There is a
vast untapped field for research out there for all the foreign language
recordings that were made, both for different countries and for different
language groups existing within the United States.
At the
end of the original article were a number of pages detailing the various recordings
that had been published: Photodrama,
Angelophone, Rutherford lectures, Watch Tower Male Voice Quartet, Organ
Records, Advertising Records, etc. These lists have been omitted because this
information can now be readily obtained through the internet for any who may
have sufficient interest.
It was
noted in the comment section on Blog 2 that shellac has proved to be a
surprisingly durable storage medium, far superior to current electronic media
such as CDs and DVDs. A recent sound archive discussion list commented that
commercial coarse groove discs (78s) and vinyl (33s and 45s) do not immediately
need to be recopied, as long as the originals are kept in good condition.
Unlike recent media storage systems, they have proved to be quite stable
information carriers. In practice it means that the recordings of CTR and
Rutherford, going back nearly 100 years, could well be more durable than modern
Watchtower DVDs.
A religious organisation that
issued over 200 different titles on 78 rpm shellac, and who once produced over
a hundred thousand records in a year at its peak. A religious group that sent its workers from
house to house in the 1930s with portable phonographs to play 12” recorded
sermons on the doorstep. A group that had previously compiled an eight hour
audio/visual experience, using dozens of specially produced records. An
organisation that in over a hundred years had four presidents, all of whom made
recordings – in one case, singing! An overview of historic recordings would not
be complete without considering the output of the Watchtower Society – the
official arm of the Jehovah’s Witnesses.
Today the Witnesses are
well-known for that unexpected knock on the door, to share their views on
scripture. Active in Britain since the 1880s, vigorous proselyting has been one
of their distinguishing features. For thirty years (1914-1944) the gramophone
or phonograph was an essential piece of their equipment.
The Watchtower magazine was
founded in July 1879 by Charles Taze Russell, later known as Pastor Russell. He
had been involved in one of the independent Bible study groups common in
America at the time, and contributed a number of articles to small Adventist
journals like George Storrs’ Bible Examiner and Nelson Barbour’s Herald of the
Morning. He differed from the mainstream Adventist belief in a visible return
of Christ, and also common beliefs on the end of the world. His journal
promoted the second coming as an invisible presence – Christ turning his
attention to the earth – and far from being burned up, the earth would one day
become a paradise during a literal millennium. The first issue of ‘Zion’s Watch
Tower and Herald of Christ’ Presence’ was an ambitious six thousand copies.
Today the (retitled) ‘Watchtower Announcing Jehovah’s Kingdom’ – with much the
same basic message – has a circulation of over fifteen million copies each
issue in 112 language. It is also produced on cassette: the historic successor
to the 78s. By the time of Russell’s death in 1916 there were 1,200 known
congregations of Bible Students as they were then called, including nearly 200
in Britain.
In 1881 Zion’s Watch Tower
carried the article ‘Wanted – One Thousand Preachers’ – setting wheels in
motion that eventually lead to a worldwide organisation of evangelisers. That
same year proselyting started in Britain. In 1884 ‘Zion’s Watch Tower Tract
Society’ was incorporated in the State of Pennsylvania. To hold property and
conduct business in the British Empire, the ‘International Bible Students Association’
was later formed. The names ‘Watchtower’ and ‘IBSA’ are the key to identifying
official historic recordings today. Charles Russell became the first president
of what would commonly be called ‘The Society’.
Prior to the First World War, the
Bible Student movement was still numerically small. However, they were very
adept in making their message heard. In America there were well-publicised
debates with recognised clergy. (Note the warnings about ‘Russellism’ in the
film ‘Elmer Gantry’). In Britain there were large public meetings at venues
like the Royal Albert Hall and the Bible Students’ own London Tabernacle in
Paddington. Hundreds of millions of free tracts were distributed. At one point
‘Pastor Russell’s Sermons’ were being carried by over three thousand
newspapers. It was not surprising that recorded sound and the fledgling film
industry would be utilised in the campaign.
THE PHOTODRAMA OF CREATION (1914)
In 1914 the Society premiered its
own audio/visual production called The Photodrama of Creation. It contained
about five hours of 4 inch lantern slides and three hours of motion pictures –
both slides and films being coloured by hand. The total eight hour production
was eventually shown in four parts. It took over two years to make and cost the
Society over $300,000 to produce. Running costs were met by local groups.
After visiting key cities in
America, the British premiere took place in July 1914 at the Princes Theatre,
Shaftsbury Avenue. Russell travelled over in person to introduce it. It told
the history of the Bible and the world to date, and then the Bible Students’
view of the future. The whole commentary was recorded on 12 inch records,
produced by the American Gramophone Co., Bridgeport, Conn.
Russell’s voice could reportedly
hold an audience for hours, but it was not suitable for the Photodrama, lacking
sufficient ‘bite’ for the acoustic recordings of the day. So only two records
actually featured him in person. These contained mini-lectures to introduce and
conclude each part, and to cover the intermissions. They were designed to
synchronise with films of Russell speaking on the screen. This early attempt at
a ‘sound’ film depended on the projectionist keeping a variable speed projector
in line with the records played on two large turntables at the front of the
hall. It was easier said than done. In the first showings it was not uncommon
for Pastor Russell to bow and walk off the screen while apparently still
speaking... His brief comments welcomed the audience, gave brief summaries of the
drama, and stressed the Bible Students’ slogan – ‘Seats Free – No Collection’.
The actual programme had 24
double-sided recordings containing a total of 96 short speeches at 80 rpm, made
by a professional elocutionist named Harry Humphrey, who sounded quite like
Pastor Russell. These accompanied the lantern slides. The films were generally
accompanied by commercial recordings of classical music. However, some hymns
that introduced each part and filled the intermissions must have been specially
recorded; the words are taken from the Bible Students’ own hymnals. For
example, the old gospel hymn ‘In the Sweet By and By’ uses the words credited
to Maria, Russell’s wife, in the 1890 hymnbook. The rousing ‘Our King is
Marching On’ (John Brown’s Body) has the line, “The Gentile Times are closing
for their Kings have had their day” – a special reference to the Bible
Students’ view of the year 1914.
After London, the British version
of the Photodrama went on tour. In areas that had no electricity, a shorter
version using just tinted slides was shown with a limelight lantern. As a
result, a number of extra sets of records were produced. Additionally, many
wanted to purchase the two records of Pastor Russell’s voice as a souvenir,
particularly when he died in 1916.
THE ANGELOPHONE RECORDINGS (1916)
With
the success of the Photodrama in mind, and the realisation that records were
now highly popular, a few Bible Students set up the Angelico Company in 1916.
Ostensibly it was to manufacture and sell phonographs, but with each purchase
came a set of 50 Angelophone recordings. For some reason they were numbered
49-98, although it is certain that no 1-48 were ever issued. The records were
small seven inch discs using the ‘hill and dale’ method to squeeze two minutes
on a side at 85 rpm. They were advertised as ‘Old Fireside Hymns’ sung by the
celebrated baritone Henry Burr. On the reverse side (also at 85 rpm) were a
series of two minute sermons to explain the hymns. These were uncredited, but
were Pastor Russell’s own voice. Those who had questions could write to a ‘Free
Information Bureau for Angelophone Patrons’. This of course was the Watch Tower
Society.
It must have sounded a good idea on paper; reaching people who might be prejudiced by the words Watch Tower. In practice, it was a disaster!
For a start, Henry Burr sounds rather the worse for wear. The hymns contain some high notes that his baritone had considerable difficulty in reaching. (When this extract was first published a blog reader quoted a modern Wikipedia article to the effect that Burr was a tenor. However, the advertising material for Angelophone at the time called him a baritone. Whatever his range, this was not Burr’s finest hour.) Limited to two minutes many hymns were abridged. The reverse side, Pastor Russell’s short sermons – and the only reason the Bible Students would purchase – was even worse! Russell was now in very poor health and died in October 1916. His voice, unsuitable for the Photodrama, was even more unsuitable now. The recordings were very poorly made, and today (without a transcript) much of what is said is indecipherable. It appears to have been the same at the time because complaints flooded in, and the Watch Tower had to announce they had been re-recorded. This time, Harry Humphrey was hired again. His voice was slightly slower, so the speed for his recordings was reduced to 80 rpm. There is some improvement, but not a lot, and the records soon ceased production. The Angelophone Hymnal disappeared from the Society’s cost list after 1919.
It must have sounded a good idea on paper; reaching people who might be prejudiced by the words Watch Tower. In practice, it was a disaster!
For a start, Henry Burr sounds rather the worse for wear. The hymns contain some high notes that his baritone had considerable difficulty in reaching. (When this extract was first published a blog reader quoted a modern Wikipedia article to the effect that Burr was a tenor. However, the advertising material for Angelophone at the time called him a baritone. Whatever his range, this was not Burr’s finest hour.) Limited to two minutes many hymns were abridged. The reverse side, Pastor Russell’s short sermons – and the only reason the Bible Students would purchase – was even worse! Russell was now in very poor health and died in October 1916. His voice, unsuitable for the Photodrama, was even more unsuitable now. The recordings were very poorly made, and today (without a transcript) much of what is said is indecipherable. It appears to have been the same at the time because complaints flooded in, and the Watch Tower had to announce they had been re-recorded. This time, Harry Humphrey was hired again. His voice was slightly slower, so the speed for his recordings was reduced to 80 rpm. There is some improvement, but not a lot, and the records soon ceased production. The Angelophone Hymnal disappeared from the Society’s cost list after 1919.
THE RUTHERFORD-KNORR RECORDINGS (1934-1942)
The
second president of the Society was Joseph Franklin Rutherford, a Missouri
lawyer, popularly known as ‘Judge Rutherford’. Under his presidency a number of
changes occurred. Believing the present world order to be in its ‘last days’
since 1914, an increased sense of urgency was felt. While Russell had
encouraged missionary work, this had been optional and mainly carried out by
travelling colporteurs. In Rutherford’s era active proselyting became an
article of faith. In 1931 the Bible Students loyal to the Society adopted the
name Jehovah’s Witnesses (based on Isaiah 43 v.10) to stress their active
ministry. 78s would have a key role in this.
The
advent of radio saw the Society embrace this medium for witnessing: they
obtained their first radio station WBBR in 1924. It was the first
non-commercial station in New York City. Throughout the 20s and 30s
Rutherford’s voice became well-known over the American airwaves, and was beamed
to Britain from stations like Radio Normandie. At its peak, over 400 stations
gave the movement airtime. They used transcription records, which were 16 inch
in diameter, ran at 33 rpm and played from the centre outwards – a problem for
collectors who wish to play surviving copies today. Massive leaflet drops
encouraged the public to tune in, and on at least one occasion a free 78 was
given away for advertising purposes. The magazine Golden Age (now called Awake)
for January 15th, 1936, page 240, asked, “Are you willing to
pleasantly surprise your neighbours by giving them an advertisement in the
modern manner? Have you a phonograph? If so, you may have FREE one 12 inch
record...(if you) agree to play the record seven times EACH WEEK until February
23 in the hearing of guests, tradesmen...and other callers...” History does not
record just how pleasantly surprised the neighbours were, or what happened if
you didn’t manage the seven times a week...
Rutherford’s
radio ministry hit problems in the 1930s. His style was blunt, and he refused
to be censored. The Catholic Church particularly objected. He criticised
certain doctrines, and more sensitive at the time, the involvement of some
clerics in politics. The rise of Nazism and Fascism was supported by some as a bulwark
against Communism. With hindsight one can see how misguided some were, and
Rutherford’s polemics seem prophetic. But at the time strenuous efforts were
made to silence him. In 1936 the Archbishop of Philadelphia, Dennis Dougherty,
endorsed a campaign to boycott Gimbel Brothers stores if their radio stations
honoured its contract with Rutherford, and darkly threatened “more drastic
action” if the broadcasts continued. The ensuing battle involved petitions of
millions of signatures, quickly organised by the Witnesses, but in 1937 they switched
full throttle to an even more direct approach to the public.
Already
since 1931, transcription records had been circulated for use in rented halls
or public places. In the depression not everyone had a radio, and those that
did could always turn it off. It was a little more difficult to silence a
visiting group of Witnesses with a loudspeaker in their car!
As
the use of radio declined, so mobile transcriptions machines flourished. Photos
from London in the 1930s show that some enthusiasts decorated their vehicles to
resemble the Watch Tower on the front of their magazine! The curiosity value
would claim initial attention, and the indefatigable Witnesses would then
canvass the area. These 16 inch records are rare today because the users were
asked to destroy them when they became worn and the sound quality deteriorated.
The
main problem with this work was the size and cost of the machinery. So in 1934
a new series of 12 inch 78 rpm records was announced, that Witnesses could play
in people’s homes. By 1936 this evolved into all Witnesses taking a phonograph
and records from door to door. The first Society phonograph weighed a hefty 20
lb – although some used old prams to propel them. By 1936 the Society
manufactured a lightweight machine, and in 1940 designed a special machine that
could be played closed in a vertical position by the touch of a button. It
could replay one recording, store several others, and had compartments for the
Witness’s literature, or – like as not – his sandwiches. They would knock on
doors, announce they had an important message for the householder, and –
straight into the recording... It was difficult to argue with a record – it
just carried on regardless, and the novelty had many listening – the first time
anyway.
In
1937 a follow-up work started. Those who listened first time around were
encouraged to have a regular meeting with the Witnesses. 78s again played a key
role. Hour long lectures, previously reserved for the transcription records,
were issued on series of 78s to be used in the discussion. The old
transcription machines were adapted to play 78s and the older discs were phased
out.
Some
recordings contain surprises. On side P-113 labelled ‘Safety’ the actual talk
of the title has finished, and Rutherford presents a resolution to an
enthusiastic 30,000 crowd. There follows a short radio announcement, and then
the hymn ‘On the Rock of Ages Founded’ is sung by the Watch Tower Male Voice
Quartet. Around this time the Society also issued seven Quartet 78s recorded by
Columbia, featuring the singing voice of Fred Franz. This is of interest
because Franz would become the Society’s fourth president in 1977, until his
death in 1992.
Two
recordings in the ‘Rutherford’ series are particularly collectable today
because of their historical overtimes. P-114 ‘Enemies’ was the subject of a
court case taken to the United States Supreme Court. A Witness named Newton
Cantwell, with his two sons, played this record to two Catholics in New Haven,
Connecticut, who objected to its message. The listeners could have shut the
door on the Witnesses (or as a Middle West farmer once did, blown their
phonograph apart with a shotgun!) – instead they called the police, and the
Cantwells were arrested. They were charged with a breach of the peace and soliciting
funds without a licence. The local court convicted them and the Society took
this test case as high as it could go. In 1940 the U.S. Supreme Court reversed
the conviction. This decision in favour of religious freedom was of importance
to not just the Witnesses. The book ‘Reconsecrating America’ by George
Goldberg, page 22, relates how the State Prosecutor lost his case by a most
remarkable blunder. He argued that it was unlawful “to stir up strife and
discontent.” Justice McReynolds then noted that Jesus had stirred up a “good
deal of trouble in Jerusalem.” The State’s counsel shot back: “As I remember my
Bible, something was done about that!" That was too much for the Judges and the
Witnesses won their case!
The
other recording, and probably the most interesting listening today, is the
lecture ‘Government and Peace’ spread over P-205 to 218. This talk was given at
Madison Square Gardens in 1939, and relayed by telephone link to Alexandra
Palace and other locations in Britain. Those listening must have wondered what
was happening because twenty minutes into the talk a riot broke out!
Somehow
(and the how was a matter for considerable debate later) about 500 supporters
of Charles Coughlin filled the seats directly behind and above the speaker’s
platform. Coughlin was a radio priest whose supporters formed ‘The Christian
Front’. He was to be mercilessly lampooned by the folk singer Woodie Guthrie in
the anti-fascist song ‘Lindberg’. Rutherford’s lecture was anathema to the
Couglinites. When he reviewed the world’s problems since the last Holy Year,
including the persecution of the Jews, they started booing. For about ten
minutes cries of “Viva Franco”, “Heil Hitler” and “Kill that damn Rutherford”
filled the air, and missiles peppered the platform. The loyal audience of
18,000 applauded Rutherford on, as Witness ushers tried to quell the
demonstration. Three ushers were later charged with assault by aggrieved
demonstrators, but the case was thrown out of court. After about ten minutes
the nearly 70 year old speaker left his prepared script. “Note today the Nazis
and Catholics that would like to break up this meeting but by God’s grace they
cannot do it,” he thundered! There was a howl of approval from the audience and
huge applause. The recordings of this incident were used effectively by the
Witnesses in attracting new converts for several years.
Rutherford
died in early 1942. His last recording was P-292. He was replaced as president
by Nathan Homer Knorr. Knorr was a very able administrator, but not a fiery orator
like Rutherford. The recording sessions continued with Knorr’s talks at the
1942 conventions (P-292 to 330) but it was not the same. With the war on none
of these recordings came to Britain, and shortage of materials prevented their
release in America until mid-1943. Further shortages of phonographs disrupted
this work, and in 1944 it was generally discontinued.
The
times they were a’changing. A phonograph on a doorstep, however strange it
sounds today, yielded excellent results for the Witnesses in the 1930s, but in
the more sophisticated 40s it would not do. One of Knorr’s first acts on becoming
president was to institute a series of new training schools. By 1944 there was
an army of trained volunteers who could effectively use their own voices to
spread their message. Later generations of Witnesses would still embrace all
modern means of communicating their beliefs. There would be more films, vinyl
recordings, tapes, videos and mountains of literature, but the age of the 78
for the Watchtower Society passed into history in 1944.
4 comments:
Thanks Jerome for the article
I have transcription machine. Says watch tower on it.
Wanting more info on it. Would consider selling. Need to know its value.
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