All
readers here will be familiar with the portrait of Joseph Lytle (sometimes
Lytel) Russell that was taken in the 1850s. It appeared to be the only picture
in existance. Because of potential copyright issues with some sources we are
reproducing as our main picture below a line drawing of Joseph.
Drawing by BK and AG as
found in Separate Identity volume one,
reproduced with permission.
reproduced with permission.
But
now a possible second picture may have been discovered, taken much later in
Joseph’s life.
Eagle-eyed collector, Zions Herald, noticed a portrait picture on the wall on the right in this picture of the Pittsburgh Bible House parlor. Whose picture was this?
Eagle-eyed collector, Zions Herald, noticed a portrait picture on the wall on the right in this picture of the Pittsburgh Bible House parlor. Whose picture was this?
The
original glass negative of this photograph is owned by Brian. The grain as seen
below was on the original 5 x 7 inch glass plate negative. Using 12,800 dpi
scanning and some Photoshop manipulation, he was able to rescue the picture
below.
How
does it compare with the early known photograph of Joseph? Both Bernhard and
Brian have made careful comparisons of faces. But as the original sitters are
seen from different angles, along with the passage of time and the camouflage of
a rather bushy beard, conclusive identification is difficult. There has been quite
some discussion before posting this and the end result still has to be that we
don’t really know. But here is one of the grids to attempt to line up key
features.
What
does seem apparent is that the picture from the parlor has someone holding a
volume of Millennial Dawn. Comparing the covers of the editions of Millennial
Dawn from that era, the most likely candidate in the photograph is volume 4,
The Day of Vengeance. If this is so, then this book was published in 1897 (announced
in September, official forward dated October) and it was on December 17 of that
year that Joseph Lytle, now back in Pittsburgh, died.
Ultimately,
the key question to ask is: if this is not Joseph Lytle, who else could it be?
This person was important enough to CTR that he chose to have their framed photograph
on his wall. None of the male members of his family supported him. Nearly all
his early associates eventually chose different paths, and anyway, their
pictures and identities have been well established. It is none of them. The
person in the photograph is in the right age group.
Bernhard
has suggested that it might be a picture of Henry Weber, the well-trusted Vice
President of the Society from 1892-1904 (his death). There is only one
photograph of Weber we know, which is taken from the 1900 book American Florist
(Henry was a horticulturist). Although published in 1900, we don’t know when
the photograph was taken.
But
in 1897, the year for the Millennial Dawn volume, Weber was 62 and Joseph Lytle
84. What age best fits the picture on the parlor wall? I obviously WANT it to
be JLR. What do others readers think?
In
MY book we have here a new photograph of Joseph Lytle Russell.
Possibly…
(With grateful thanks to Zions Herald, Brian and Bernhard, whose
discussion on what started life as just a throwaway query has been most
interesting. To paraphrase a phrase from Uncle Tom’s Cabin, like Topsy it just
growed.)
3 comments:
I feel this is a picture of Henry Weber. If you look at Henry Weber's picture and go back and forth like 10/20 times real fast between that picture and the blown up picture of the individual in question with the MD, it is apparent to me that this is Henry Weber. Unlike Joseph, Henry's face was full and had puffy cheeks unlike Joseph. Just my take.
I don't know who the man of the picture is, but if you want to see a clearer and bigger version of the exact photograph hanging on Russell's wall, there is one at the World Headquarters museum. Here's a photo of the display I am referring to: http://www.tulees.blog/wp-content/uploads/2020/07/fromreadershiptofellowship-scaled.jpg
Thank you very much indeed Leo for posting the link to that picture. It is indeed a much clearer picture of the photo on the wall in the post - which the general consensus now seems to identify as Henry Weber. I saw the exhibition at Brooklyn in 2014, but did not notice this picture then. Of course, there was no reason for me to look out for it at the time.
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